EXHIBITION CATALOGUES
2007
Don't Look, Wellesley Mass., Davis Museum and Cultural Center, 2007.
Spaid, Sue. The HandMaking, Abington Art Center, Jenkintown, Pa., 2007
Spaid, Sue. The HandMaking, Abington Art Center, Jenkintown, Pa., 2007
2005
Stephanie Smith and Victor Margolin. Beyond Green: toward a sustainable art. Chicago: Smart Museum of Art, University of Chicago and New York: Independent Curators International, 2005.
Logical Conclusions: 40 Years of Rule Based Art, Pace Wildenstien Gallery, New York, essay: Marc Glimcher
Logical Conclusions: 40 Years of Rule Based Art, Pace Wildenstien Gallery, New York, essay: Marc Glimcher
2004
Klaus Biesenbach, Die Zehn Gebote, Dresden, Germany: Deutches Hygiene-Museum & Hatje Cantz Verlag, 2004.
Singer, Momin, Iles, 2004 Whitney Biennial Exhibition, New York: Whitney Museum of American Art, 2004.
Multiple R?ume (1): Seele: Konstruktionen des Innerlichen in der Kunst, Baden-Baden, Germany: Staatliche Kunsthalle Baden-Baden, 2004.
Singer, Momin, Iles, 2004 Whitney Biennial Exhibition, New York: Whitney Museum of American Art, 2004.
Multiple R?ume (1): Seele: Konstruktionen des Innerlichen in der Kunst, Baden-Baden, Germany: Staatliche Kunsthalle Baden-Baden, 2004.
2003
Micropol?tiques I: Art I quotidianitat: 2001-1989, Castell?, Spain: Espai d'Art Contemporani de Castell?, 2003.
Paulo Herkenhoff, Roxana Marcoci and Miriam Basilio, Tempo, New York: The Museum of Modern Art,
Simon Lamuniere, L'image habitable/Versions multiples, Geneva, Switzerland: Centre pour l'image contemporaine, font-family:.
Marit Woltmann, Passenger: The Viewer as Participant, Norway: Astrup Fearnley Museet for Moderne Kunst, font-family:.
Public Affairs: Von Bueys bis Zittel: Das Offenliche in der Kunst, Z?rich, Switerland: Kunsthaus Z?rich, font-family:.
Paulo Herkenhoff, Roxana Marcoci and Miriam Basilio, Tempo, New York: The Museum of Modern Art,
Simon Lamuniere, L'image habitable/Versions multiples, Geneva, Switzerland: Centre pour l'image contemporaine, font-family:.
Marit Woltmann, Passenger: The Viewer as Participant, Norway: Astrup Fearnley Museet for Moderne Kunst, font-family:.
Public Affairs: Von Bueys bis Zittel: Das Offenliche in der Kunst, Z?rich, Switerland: Kunsthaus Z?rich, font-family:.
2001
Kristin Chambers, Comfort: Reclaiming Place in a Virtual World, Cleveland, OH: Cleveland Center for Contemporary Art, 2001.
Markus Heinzelmann and Ortrud Westheider, Plug-In: Einheit und Mobilit?t, M?nster, Germany: Westf?lische Landesmuseum f?r Kunst und Julturgeschichte M?nster, 2001.
WolfgangSchoppmann, Without Hesitation: Views of the Olbricht Collection, Bremen, Germany: Neues Museum Weserburg.
Rainald Schumacher and Matthias Winzen, Die Wohltat der Kunst: Post/Feministische Positionen der neunziger Jahre aus der Sammlung Goetz, Baden-Baden, Germany: Sammlung Goetz, font-family: (revised English edition, Just Love Me: Post/Feminist Positions of the 1900's from the Goetz Collection, Munchen, Germany: Sammlung Goetz, 2003)
Noemi Smolik and Rainald Schumacher, American Art from the Goetz Collection, Prague: Galerie Rudolfinium, Munich: Goetz Collection, 2001.
Patsy Tarr, Inside Cars, New York: 2wice Arts Foundation, 2001.
Without Hesitation: Views of the Olbricht Collection, Bremen, Germany: Neues Museum Weserburg, 2001.
Markus Heinzelmann and Ortrud Westheider, Plug-In: Einheit und Mobilit?t, M?nster, Germany: Westf?lische Landesmuseum f?r Kunst und Julturgeschichte M?nster, 2001.
WolfgangSchoppmann, Without Hesitation: Views of the Olbricht Collection, Bremen, Germany: Neues Museum Weserburg.
Rainald Schumacher and Matthias Winzen, Die Wohltat der Kunst: Post/Feministische Positionen der neunziger Jahre aus der Sammlung Goetz, Baden-Baden, Germany: Sammlung Goetz, font-family: (revised English edition, Just Love Me: Post/Feminist Positions of the 1900's from the Goetz Collection, Munchen, Germany: Sammlung Goetz, 2003)
Noemi Smolik and Rainald Schumacher, American Art from the Goetz Collection, Prague: Galerie Rudolfinium, Munich: Goetz Collection, 2001.
Patsy Tarr, Inside Cars, New York: 2wice Arts Foundation, 2001.
Without Hesitation: Views of the Olbricht Collection, Bremen, Germany: Neues Museum Weserburg, 2001.
2000
Stephanie Barron, Made in California: Art, Image and Identity 1900-2000, Los Angeles: Los Angeles County Art Museum, 2000.
Franco Fanelli, Quotidiana: The Continuity of the Everyday in 20th Century Art, Torino, Italy, Castello di Rivoli, 2000.
Judith Tannenbaum, Against Design, New York: Distributed Art Publishers, 2000.
O. Zahm and E. Fleiss, Elysian Fields, Paris: Editions du Centre Pompidou, 2000.
HausSchau: das Haus in der Kunst, Hamburg, Germany: Deichtorhallen Hamburg, 2000.
Sammlung DaimlerChrysler: New Acquisitions FEBRAUARY2001, Berlin: DaimlerChrystler Contemporary, 2000.
Franco Fanelli, Quotidiana: The Continuity of the Everyday in 20th Century Art, Torino, Italy, Castello di Rivoli, 2000.
Judith Tannenbaum, Against Design, New York: Distributed Art Publishers, 2000.
O. Zahm and E. Fleiss, Elysian Fields, Paris: Editions du Centre Pompidou, 2000.
HausSchau: das Haus in der Kunst, Hamburg, Germany: Deichtorhallen Hamburg, 2000.
Sammlung DaimlerChrysler: New Acquisitions FEBRAUARY2001, Berlin: DaimlerChrystler Contemporary, 2000.
1998
Irene Hofmann, Gregory Wittkopp and David Wilson, Weird Science: A Conflation of Art and Science, Bloomfield Hills, MI: Cranbrook Museum of Art, 1999.
Peter Noever, Microspace/global time: An architectural Manifesto, Vienna: MAK Center for Art and Architecture, 1999.
Culbutes: Oeuvre d'impertinence, Montral, Canada: Mus?e d'art contemporarain de Montr?al, 1999.
Verkehr: Steirische Landesausstelling 1999, Graz, Austria: Knittfeld, 1999 (catalogue for Styrian Regional Exhibition)
Peter Noever, Microspace/global time: An architectural Manifesto, Vienna: MAK Center for Art and Architecture, 1999.
Culbutes: Oeuvre d'impertinence, Montral, Canada: Mus?e d'art contemporarain de Montr?al, 1999.
Verkehr: Steirische Landesausstelling 1999, Graz, Austria: Knittfeld, 1999 (catalogue for Styrian Regional Exhibition)
1998
Amy Cappellazzo, Wild/Life or the impossibility of Mistaking Nature for Culture, Greensboro, NC: Weatherspoon Art Gallery, 1998
Sammlung Goetz and Zdenek Felix, Emotion- Young British Artists and American Artists from the Goetz Collection, Hamburg, Germany: Deichtorhallen Hamburg/Cantz Editions, 1998.
Klaus Bu?mann, Kasper KOnig and Florian Matzner, Skulptur Projekte in M?nster1997, Munster, Germany: Westalisches Landesmuseum, 1997.
Donna DeSalvo and Mary Ann Caws, Staging Surrealism, Columbus, OH: Wexner Center for the Arts, 1997.
documenta X / Poetics, ed. Documenta and Museum Fridericianum Veranstaltungs-GMBH, Ostfildern-Ruit, Germany: Cantz Verlag, 1997.
Kunst?Arbeit, Ostifildern-Ruit, Germany: Herausgeber, Cantz Verlag and Autoren, 1997.
Modelle, Wien, Austria: Osterreichische Galerie Belvedere, 1998.
Sammlung Goetz and Zdenek Felix, Emotion- Young British Artists and American Artists from the Goetz Collection, Hamburg, Germany: Deichtorhallen Hamburg/Cantz Editions, 1998.
Klaus Bu?mann, Kasper KOnig and Florian Matzner, Skulptur Projekte in M?nster1997, Munster, Germany: Westalisches Landesmuseum, 1997.
Donna DeSalvo and Mary Ann Caws, Staging Surrealism, Columbus, OH: Wexner Center for the Arts, 1997.
documenta X / Poetics, ed. Documenta and Museum Fridericianum Veranstaltungs-GMBH, Ostfildern-Ruit, Germany: Cantz Verlag, 1997.
Kunst?Arbeit, Ostifildern-Ruit, Germany: Herausgeber, Cantz Verlag and Autoren, 1997.
Modelle, Wien, Austria: Osterreichische Galerie Belvedere, 1998.
1997
Media and Human Body: Fukui Biennale 7, Fukui City, Japan: Fukui Municipal Art Museum, 1997.
Check in! Eine Reise im Museum f?r Gegenwartskunst, Basel, Switzerland: Museum f?r Gegenwartskunst, 1997.
Check in! Eine Reise im Museum f?r Gegenwartskunst, Basel, Switzerland: Museum f?r Gegenwartskunst, 1997.
1996
Lelia Amalfitano, Social Fictions: Lari Pittman and Andrea Zittel, Boston, MA: School of the Museum of Fine Arts, 1996.
Klaus Biesenbach and Nicolaus Schafhausen, nach weimar, Ostildern-Ruit, Germany: Kunstsammlungen zu Weimar, Cantz Verlag und Autoren, 1996.
Jean Louis Froment and Abdellah Korroum, Urgence: Nan Goldin, Noritoshi Hirakawa, Jack Pierson, Wolfgang Tillmans, Andrea Zittel, Bordeauz, France: capc Mus?e d'art contemporain, 1996.
Collezionismo a Torino, Milan, Italy: Castello do Rivoli, 1996.
Klaus Biesenbach and Nicolaus Schafhausen, nach weimar, Ostildern-Ruit, Germany: Kunstsammlungen zu Weimar, Cantz Verlag und Autoren, 1996.
Jean Louis Froment and Abdellah Korroum, Urgence: Nan Goldin, Noritoshi Hirakawa, Jack Pierson, Wolfgang Tillmans, Andrea Zittel, Bordeauz, France: capc Mus?e d'art contemporain, 1996.
Collezionismo a Torino, Milan, Italy: Castello do Rivoli, 1996.
1995
Judith Hoos Fox, RE:formations/design directions at the end of a century, Chandler Gallery, Wellesley, MA: Davis Museum of Art, 1995
Robert Gober and Harry Philbrick, Living with Contemporary Art, Ridgefield, CT: The Aldrich Museum of Contemporary Art, 1995.
Klaus Kertess, 1995 Biennial Exhibition, New York: Whitney Museum of American Art, 1995.
Terry Ann R. Neff and Robert V. Sharp, About Place: Recent Art of the Americas, Chicago: Art Instiute of Chicago, 1995.
Lars Nittve, Nutopia, Malmo, Sweden: Rooseum Center for Contemporary Art, 1995.
Campo 95 [Libro] ,Venezia: Fondazione Re Rebaudengo Corderie Biennale; [S.l.]: Umberto Allemandi & C, 1995.
Sammlung Volkmann zeigt: Faustrecht der Freiheit, Gera, Germany: Kunstsammlung Gera, 1995.
Robert Gober and Harry Philbrick, Living with Contemporary Art, Ridgefield, CT: The Aldrich Museum of Contemporary Art, 1995.
Klaus Kertess, 1995 Biennial Exhibition, New York: Whitney Museum of American Art, 1995.
Terry Ann R. Neff and Robert V. Sharp, About Place: Recent Art of the Americas, Chicago: Art Instiute of Chicago, 1995.
Lars Nittve, Nutopia, Malmo, Sweden: Rooseum Center for Contemporary Art, 1995.
Campo 95 [Libro] ,Venezia: Fondazione Re Rebaudengo Corderie Biennale; [S.l.]: Umberto Allemandi & C, 1995.
Sammlung Volkmann zeigt: Faustrecht der Freiheit, Gera, Germany: Kunstsammlung Gera, 1995.
1994
Joshua Decter, Don't Look Now, New York: Thread Waxing Space, 1994.
Rebecca Katz and Jane McFadden, Living in Knowledge: An Exhibition About Questions Not Asked, Durham, NC: Duke University Museum of Art, 1994.
Lynn Zelevansky, Sense and Sensibility: Women Artists and Minimalism in the Nineties, New York: The Museum of Modern Art, 1994.
Esprit d'amusement, Graz, Austria: Grazer Kunstverein, 1994.
L'hiver de l'Amour, Paris, France: Musee d'Art Moderne de la Ville de Paris, 1994
Rebecca Katz and Jane McFadden, Living in Knowledge: An Exhibition About Questions Not Asked, Durham, NC: Duke University Museum of Art, 1994.
Lynn Zelevansky, Sense and Sensibility: Women Artists and Minimalism in the Nineties, New York: The Museum of Modern Art, 1994.
Esprit d'amusement, Graz, Austria: Grazer Kunstverein, 1994.
L'hiver de l'Amour, Paris, France: Musee d'Art Moderne de la Ville de Paris, 1994
1993
Gavin Brown, Real Time, London: Institute of Contemporary Arts, 1993.
Giancario Politi, Aperto '93: Emergency, Venice: Italy: XLV Biennale Di Venezia, 1993.
Giancario Politi, Aperto '93: Emergency, Venice: Italy: XLV Biennale Di Venezia, 1993.
1991
Connie Butler, Warp and Woof: Comfort and Dissent, New York: Artists Space, 1991.
Catherine Lui, Plastic Fantastic Lover (object a), New York: Blum Helman Gallery, 1991
Catherine Lui, Plastic Fantastic Lover (object a), New York: Blum Helman Gallery, 1991
Information found: http://www.zittel.org/bio.php
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