BOOKS
Chan, Yenna, Contemporary Design in Detail: Small Environments. Gloucester, Mass.:
Rockport, 2007.
Rosenzweig, Matthew and Francesca Richer, eds. No. 1: First Works of 362 Artists. New York: Distributed Art Publishers
Marisa Bartolucci, Living Large in Small Spaces: Expressing Personal Style in 100 - 1,000 Square Feet, NY: Harry Abrams, Inc.,
2003.
Chadwick, Whitney. Women, Art, and Society. (Fourth Edition). London: Thames & Hudson,
2007.
Courtenay Smith + Sean Topham, Xtreme Houses, Munich, Germany: Prestel,
Iwona Blazwick and Simon Wilson, Tate Modern: The Handbook, Berkeley, CA: University of California Press,
2000.
Francesco Banami, Echos: Contemporary Art at the Age of Endless Conclusions, New York: Monacelli Press,
1997
Anthony Dunne, Hertzian Tales: Electronic Products, Aesthetic Experience & Critical Design, London: Royal College of Art,
1999.
Alicia Foster, Tate Women Artists, London, England: Tate Publishing,
2004.
Claudia Gould and Valerie Smith, 5000 Artists Return to Artists Space: 25 Years, New York: Artists Space,
1998.
Uta Grosenick and Burkhard Riemschneider, Art Now: 137 Artists at the Rise of the New Millenium, Koln, Germany: Taschen
Uta Grosenick and Ilka Becker, Women Artists in the 20th and 21st Century, KOln, Germany: Taschen, 2001.
Uta Grosenick, Burkhard Riemschneider and Lars Bang Larsen, Art at the Turn of the Millennium, KOln, Germany: Taschen,
1999.
Klaus Kertess, Photography Transformed: The Metropolitan Bank and Trust Collection, New York: Harry Abrams, Inc.,
Lars Bang Larsen, Uta Grosenick, and Burkhard Riemschneider, Art Now: Icons, KOln, Germany: Taschen, 2001.
Roxana Marcoci, Diana Murphy and Eve Sinaiko, new art, New York: Harry Abrams,
1997.
Joel Sanders, STUD: Architecture of Masculinity, Princeton, NJ: Princeton Architectural Press,
1996
Coutenay Smith and Sean Topham, Xtreme Houses, London: Prestel Publishing,
Robert Storr, Art 21: Art in the 21st Century, New York: Harry Abrams, Inc.,
2001 (accompanied by a 2 video box set produced by PBS Home Video)
Karin Thomas, Bis Heute Stilgeschichte der bildenden Kunst im 20. Jahrhundert: Dumont Publishers,
1998.
Sarah Vowell, Radio On: A Listeners Diary, New York: Martin's Griffin,
1997.
Linda Weintraub, Arthur Danto and Thomas McEvilley, Art on the Edge and OverSearching for Art's Meaning in Contemporary Society 1970's - 1980's, Art Insights, Inc.,
1997.
John Welchman, Art After Appropriation: Essays on Art in the 1990's, New York: Routledge,
2001
The Collections of the Cincinnati Art Museum, Cincinnati, OH: Cincinnati Art Museum,
Coutts Contemporary Art Awards 1996:
Per Kirkeby, Boris Michajlov, Andrea Zittel, (award catalogue) Zurich: Coutts Contemporary Arts Foundation, 1996.
From Arkhipov to Zittel: Selected Ikon Off-Site Projects 2000 - 2001, Birmingham, England: Ikon Gallery,
Rockport, 2007.
Rosenzweig, Matthew and Francesca Richer, eds. No. 1: First Works of 362 Artists. New York: Distributed Art Publishers
Marisa Bartolucci, Living Large in Small Spaces: Expressing Personal Style in 100 - 1,000 Square Feet, NY: Harry Abrams, Inc.,
2003.
Chadwick, Whitney. Women, Art, and Society. (Fourth Edition). London: Thames & Hudson,
2007.
Courtenay Smith + Sean Topham, Xtreme Houses, Munich, Germany: Prestel,
Iwona Blazwick and Simon Wilson, Tate Modern: The Handbook, Berkeley, CA: University of California Press,
2000.
Francesco Banami, Echos: Contemporary Art at the Age of Endless Conclusions, New York: Monacelli Press,
1997
Anthony Dunne, Hertzian Tales: Electronic Products, Aesthetic Experience & Critical Design, London: Royal College of Art,
1999.
Alicia Foster, Tate Women Artists, London, England: Tate Publishing,
2004.
Claudia Gould and Valerie Smith, 5000 Artists Return to Artists Space: 25 Years, New York: Artists Space,
1998.
Uta Grosenick and Burkhard Riemschneider, Art Now: 137 Artists at the Rise of the New Millenium, Koln, Germany: Taschen
Uta Grosenick and Ilka Becker, Women Artists in the 20th and 21st Century, KOln, Germany: Taschen, 2001.
Uta Grosenick, Burkhard Riemschneider and Lars Bang Larsen, Art at the Turn of the Millennium, KOln, Germany: Taschen,
1999.
Klaus Kertess, Photography Transformed: The Metropolitan Bank and Trust Collection, New York: Harry Abrams, Inc.,
Lars Bang Larsen, Uta Grosenick, and Burkhard Riemschneider, Art Now: Icons, KOln, Germany: Taschen, 2001.
Roxana Marcoci, Diana Murphy and Eve Sinaiko, new art, New York: Harry Abrams,
1997.
Joel Sanders, STUD: Architecture of Masculinity, Princeton, NJ: Princeton Architectural Press,
1996
Coutenay Smith and Sean Topham, Xtreme Houses, London: Prestel Publishing,
Robert Storr, Art 21: Art in the 21st Century, New York: Harry Abrams, Inc.,
2001 (accompanied by a 2 video box set produced by PBS Home Video)
Karin Thomas, Bis Heute Stilgeschichte der bildenden Kunst im 20. Jahrhundert: Dumont Publishers,
1998.
Sarah Vowell, Radio On: A Listeners Diary, New York: Martin's Griffin,
1997.
Linda Weintraub, Arthur Danto and Thomas McEvilley, Art on the Edge and OverSearching for Art's Meaning in Contemporary Society 1970's - 1980's, Art Insights, Inc.,
1997.
John Welchman, Art After Appropriation: Essays on Art in the 1990's, New York: Routledge,
2001
The Collections of the Cincinnati Art Museum, Cincinnati, OH: Cincinnati Art Museum,
Coutts Contemporary Art Awards 1996:
Per Kirkeby, Boris Michajlov, Andrea Zittel, (award catalogue) Zurich: Coutts Contemporary Arts Foundation, 1996.
From Arkhipov to Zittel: Selected Ikon Off-Site Projects 2000 - 2001, Birmingham, England: Ikon Gallery,
information found: http://www.zittel.org/bio.php
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